What have we lost?

I've been reading over the past couple of days - beginning with The Summer Book by Tove Jansson. Jansson is better known internationally for her children's books chronicling the surprising adventures of the Moomin Family. The Summer Book, however, is regarded as a Scandavian classic - and with good cause. I'm not going to review it because I already have on my personal blog. But what stays with me after reading this book is the way Jansson makes what is unsaid as important as the actual conversations between the two central characters, Sophia and the Grandmother. Their interaction is subtly nuanced, the tensions and tendernesses resonate with their shared loss, but also with the reluctant knowledge that while Sophia is entering her life, the Grandmother is leaving hers.

I've also been re-reading Gerald Durrell's The Bafut Beagles. And while there may not be any immediate similarity between Jansson's quiet exploration of a shared summer and Durrell's far rowdier, crowded and eventful chronicles of animal collecting in West Africa, there actually is. It's a respect for language, a slower pace of writing and detailed observations of the surrounding world that gives both these books their authority.

It makes me wonder whether the contemporary emphasis on minimalism is really working for me as a writer. I'm going to spend some time over the next few months honing my own observation skills, extending my vocabulary and revising to strengthen images.

I suggest you join me in a holiday activity. Spend some time closely observing something you'd normally regard as ordinary - it could be new tulip leaves pushing their way out of the earth, or puppy antics or the way a member of your family concentrates. You might want to go further afield - take yourself on an observing excursion. Make notes. Then write a beautiful, measured page bringing your reader into the event or scene you've described. Revise it until each word is exactly the word you need. Consult your thesaurus. Consult your dictionary. Use at least one word you'd not normally use. Luxuriate in the slower pace.

Ask yourself afterwards whether or not you feel richer for the experience. Don't tell me it was 'awesome' or 'cool' or any other shorthand word!

Holiday exercies! - better late than never?

A standard plot introduces an outsider to a community - each shakes up the other. The community can be as small as a family or as large as a small town. Introduce a stranger to your community. What impact will they have, who will they influence - and will it be beneficial or detrimental?

This is as true for life writing, of course, as it is for fiction. What has happened in your own family when strangers have come into it. The strangers could be birth parents, in-laws, spouses, adopted children or foster children. For some people the stranger could even be a new baby.

Go on an artist's day - or do something new this holiday. Something you have never done. This could be as simple as eating a food you've never eaten, or learning a new skill. Even going to a new place can be refreshing and energising. Make a firm decision to refresh your writing self!

This holidays I made glass beads with my son - he bought a beginner's lampworking kit after watching people use them on YouTube. We went to my mother's place - she has the largest shed in the world - and learnt how to melt the glass around a thin steel rod coated with bead release. We learnt how to roll the glass in fritt (spelling?) and roll the bead on a graphite pad to shape it. It was so much fun doing something completely different. And, of course, it's a skill I can pass on to a character!

When you've done your new thing - write it up. If it's something new you've eaten, write about what it tasted like, what it smelt like and the texture. Think about the colour. How did you eat it and who, if anyone, was with you? Describe the setting. If you go somewhere new, do the same thing.

If you learnt a new skill, write it up twice - first notes on the skill - technical notes, so that if you ever do give it to a character, you're speaking with authority. Then write it up imaginatively - again, using all your senses. You might choose to do this by passing it on to a character.

Happy holidays. Oh, and check this out!